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A smiling man in a suit and a woman in a blouse and trousers standing in a courtyard outside a red building.

Professor Pian with Korean musicologist Yi Hyegu after the Confucian Ceremony in Seoul, South Korea, 1974

A crouching woman with an attentive expression, holding a video camera, amidst a group of standing observers.

Professor Pian videotaping the Confucian Ceremony in Seoul, South Korea, 1974

A woman playing a guqin set on a table with a score laid in front of it.

Professor Pian plays guqin at home, 1997

A woman playing a guqin, framed by a branches of flowering forsythia in a green porcelain vase.

Professor Pian playing the guqin, 1997.

The living room of a private home, in which a seated woman is speaking to several rows of casually-dressed people sitting on sofas and other furniture.

Professor Chia-ying Yeh giving a presentation at one of the New Dialogues in Cambridge(Jianqiao xin yu) at the Pians' home

A performer gesturing with a raised arm, standing alone on a rectangular green platform flanked on two sides by a row of kneeling musicians.

Pictures of Japanese bugaku

Two pages of red and black musical notation in Chinese characters.

Peking opera score of "The Drunken Concubine" in gongche notation

Two DAT cassette cases with handwritten labels in black ink identifying them as part of the Rulan Pian Collection.

Peking Drum Song, DAT tape audio recordings

A table of contents with text in English and Chinese.

Musical sources of the Sung Dynasty (960-1279)

A singing woman, wearing yellow and blue hanbok, seated on stage in front of a folding screen. To her left, a seated man plays a drum.

Ms. Chung performing p’ansori in Paine Hall

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